By Gaelyn Smith This article was produced within the New Theater Critics project, a component of Day Eight’s 2023 arts journalism conference. This article was originally published in DC Theater Arts…
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By Vivian Thurman This article was produced within the New Theater Critics project, a component of Day Eight’s 2023 arts journalism conference. This article was originally published in DC Trending here.…
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By Imani Nyame This article was originally published in The DC Line here. Toting a bottle of beer, Clyde (Dee Dee Batteast) comes on stage clad in a busty denim dress,…
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Review by Daarel Burnette II This article was first published in DCTRENDING here. Blue, an opera by librettist and director Tazewell Thompson, and conducted by Joseph Young and Jonathan Taylor Rush,…
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By D.R. Lewis This article was originally published in DC Theater Arts on March 16, 2023, here. Since Alanis Morissette’s landmark album Jagged Little Pill was released in 1995, it has…
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By Whit Davis This article was originally published in The DC Line here. The High Ground, a new play by Nathan Alan Davis, poses a fundamental question: “What is a love…
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By Jakob Cansler This article was first published in DC Theater Arts here. It would seem, on the surface, that the plays in 4615 Theatre Company’s double bill could not be…