by Hannah Berk This article was first published by DC Theatre Scene and can be read on their website here. Bertolt Brecht’s The Resistible Rise of Arturo Ui (trans. George Tabori) presents us…
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by Hannah Berk This article was first published by DC Theatre Scene and can be read on their site here. “How to translate [Antigone]?”, Anne Carson self-reflexes in her translator’s note…
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by John Bavoso This article was first published by DC Theatre Scene and can be found on their site here. When asked about how she comes up with ideas for her…
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by John Bavoso This article was first published by DC Theatre Scene and can be found on their site here. “In the end, we’re all just taller children,” croons Brooklyn-based singer-songwriter Elizabeth…
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by Hannah Berk This article was first published by DC Theatre Scene and can be found on their site here. Tradition Be Damned (TBD) Immersive, DC’s first large-scale immersive theater company,…
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by John Bavoso This article was first published by DC Theatre Scene and can be found on their site here. There’s a notion these days in theatrical circles that the hallmark…
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This article was first published in DC Theatre Scene here. “Our work is ceremony, because, to us, art is ceremony,” writes Alexa Elizabeth Rodriguez in her Director’s Note. This is the…







